 Êóïèòü àíòèâèðóñ êàñïåðñêîãî íà Support.by àðåíäà âèðòóàëüíîãî cåðâåðà íà Support.by
|
|
| KONSTANTIN SELIHANOV | TATYANA RADSIVILKO |
|
|
Konstantin Selikhanov has firmly established himself as one of the most original of Belarusian artists. He is equally gifted as a sculptor and as a graphic artist. For almost ten years his art has been developing within its own system of creative freedom, stylistic pluralism, readiness for perception of the aesthetic achievement of the past. Having an inquisitive mind, the artist has not simply joined the powerful tradition of twentieth century art; this "experience" has become his special theme, a personal plastic concept...>> |
|
It is not important whether the artist works with a figurative, non-object or archaic material, he builds his art piece conforming it with the personal world-view, aspiring to embody not visual images, but only images translated into individual art language. This striving to frame unique mark cognoscibility of the own art works, balancing on the verge between object - image - sign, is characteristic of Tatyana Radsivilko. The system of academic school, honestly studied, in contrast with surrounding chaos and absurdity of life, has engendered in the artist desire to express her subjective vision of the world. Perhaps it explains why she works simultaneously in painting and printmaing art...>> |
| ULADZIMIR SAVICH | ZOYA LITVINOVA |
|
Uladzimir Savich belongs to this circle of artists, for which the aesthetical category of beauty has not lost its philosophical sense and actuality, embodiment of is not being necessarily optimistic, but rather elegical and dramatic. Notion of beauty is dangerous, dubious, vacillating. It is proved by all the centuries-long history of human culture. Only one wrong step in this amazing space and instead of a desired flight, a disastrous fall is taking place for the artist, an eternal strive for perfection and glory turns into trivial, banal candy-beauty...>> |
|
Maturing of a plastic image is accompanied both by outward impressions and going into one's inner world. Here one comes into a contact with such a depth, which should be knocked at, which is necessary to open, or which should open itself. The first moment of lighting up leads to the process which lies beyond one's conscience, but then must follow the coming out of full conscience into the light. In short, comprehension of the subconscious is the most important moment of a creative act... ... What does it mean for an artist to express himself? It means, he should express human feelings, problems, and thoughts common to all the people...>> |
 |
This web page is hosted free of charge through the Internet Access and Training Program (IATP). IATP is a project funded by the US Department of State, Bureau of Educational & Cultural Affairs, and implemented within the framework of the UNDP "Internet-2" project. |
